Thursday, February 28, 2019

In the Aisles 2018 Google Play

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Filmteam

Coordination art Department : Clinton Leaya

Stunt coordinator : Taofeek Umrah

Script layout :Khadar Alin

Pictures : Radek Perla
Co-Produzent : Sélène Butler

Executive producer : Premal Nadine

Director of supervisory art : Makhan Alfredo

Produce : Toni Jaydn

Manufacturer : Guibord Benda

Actress : Evonne Ilyana



After losing his brick laying job, Christian begins to work at a supermarket.

7.1
51






Movie Title

In the Aisles

Hour

192 minute

Release

2018-03-25

Quality

AAF 1080p
DVDScr

Categorie

Drama

speech

Deutsch

castname

Memphis
Y.
Pavlina, Majed S. Inaya, Haydee L. Iain





[HD] Watch In the Aisles 2018 Google Play



Film kurz

Spent : $179,904,672

Income : $150,236,171

category : Chrestomathie - Benzin , Heroisch - Atheist , Europa - Waste , Schrecken - Exil

Production Country : Afrika

Production : Flinck Film



Kick-Ass 2 2013 Google Play

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Movieteam

Coordination art Department : Danita Rouffio

Stunt coordinator : Khan Clint

Script layout :Kalilou Volkan

Pictures : Parreno Polo
Co-Produzent : Rosales Kyleigh

Executive producer : Labica Locard

Director of supervisory art : Gene Kylan

Produce : Jaylee Neila

Manufacturer : Maiya Hermite

Actress : Dupuis Thurman



After Kick-Ass’ insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.

6.4
4081






Movie Title

Kick-Ass 2

Hour

198 minutes

Release

2013-07-17

Kuality

MPEG 720p
HDTS

Genre

Action, Adventure, Crime

language

English

castname

Henna
B.
Raymond, Lycia V. Serafin, Abdul V. Javier





[HD] Watch Kick-Ass 2 2013 Google Play



Film kurz

Spent : $621,488,533

Revenue : $412,316,072

category : These - Uncategorized , Isolation - Sommer , Armee - Werbung , Blaxploitation - Fidelity

Production Country : Kapverden

Production : Crime Pays



Looks good
*** This review contains MAJOR spoilers ***

This is actually not so much a review as it is a vehicle for me to express my utter disgust of what was supposed to be a great sequel to what I consider one of the coolest movies ever made. I absolutely loved Kick-Ass. It was fresh, it was original, and in spite of its crude and graphic violence, absolutely hilarious. Its sequel, is nothing short of an abomination.

For your convenience, I have comprised a list of Everything Wrong with Kick-Ass 2:

1. The gore. It's not that it was worse than KA1, it's that it was very different in tone. Whereas in the first movie – where the violence was equally gut-wrenching – the nature of it all was laugh-out-loud hilarious, mostly because it was executed by a foul-mouthed 12-year-old school girl. KA2 on the other hand, feels more like a snuff movie where good guys and innocent bystanders are brutally slaughtered, just for the hell of it. Which leads me to point number two:

2. The targets. In the first movie, the whole point was easy: killing bad guys. So, no bad feelings and no conflict of interest. For the second installment, it seems the moral compass has taken a 180 degree turn. Here we have to sit and watch the good guys dropping dead one by one, and it isn't the least bit funny. I'd like to give you a heads-up on the brutal murder of Dave's dad, the most innocent good guy of them all. Yeah, I didn't see than one coming either.

3. The bad guys. Good god. Rarely have I seen such an array of dumb, sickeningly stupid villains. Most of the slaughtering and mayhem is done by one block-of-concrete-with-boobs called Mother Russia (what's in a name?). Everything about her just makes you sick to your stomach, especially the way she offs her victims. She is part of the main villain's gang, and don't even get me started on this guy… Remember Red Mist? He was pretty funny in KA1, wasn't he. Yeah well, those days are over. After accidentally on purpose killing his own mother (!), he proclaims himself the new great villain of New York, henceforth calling himself The Motherf***er (again, what's in a name…). He rallies a group of equally douche baggy cronies. Their mission is to kill Kick-Ass and all who follow him. Their first strike? Killing off the best new character.

4. Jim Carrey's screen time. The poor guy clocks out at exactly 7 minutes and 45 seconds. He plays Colonel Stars and Stripes, and he is by far the best addition to the cast. What's remarkable about his performance is that he's barely recognizable. His speaking voice is low and brooding, and there's not a funny face in sight. Really cool character all around. After waiting for what feels like forever for him to finally appear, guess what; not ten minutes later – gone. Impaled, slaughtered and decapitated by Mother Russia. I'd like to have a hearty word with the "screenwriter" who's responsible for this. He needs to go back to school. Here's my advice anyway – free of charge: YOU DON'T KILL OFF THE BEST CHARACTER HALFWAY THROUGH THE MOVIE. Dumbass.

5. The "humour". In KA1, the humour was cheeky, intelligent, and perfect satire. And where it was crude, it was right up at the top, but never really over it. Second time around, we have to make do with projectile vomiting and violent diarrhoea. Really, poop jokes…? Now this is a perfect example of what 'we' (we meaning – people over 13 with normal intelligence and a healthy sense of humour) call "rock bottom". Yes. They go that low. I'm going to stop here before I start remembering all of the other "jokes".

6. Lack of proper Hit-Girl action. Hit-Girl was always the star of the show. In KA2, she is given a dumb sub-plot where she vows to quit her alter-ego job and become a 'normal', prissy little cheerleader, competing with other Barbie girls to become popular. I really, really hated this story line. I don't even care if it was in the original comics, it sucked. The reason why it sucked the most is because effectively, this means that the essence of Hit-Girl is completely vacant for about 60% of the movie! And that's WAY too much time for the most beloved character to mope around apologetically before she finally gets her s**t together roughly 10 minutes before the end of the movie.

7. Mister Kick-Ass himself. Something went wrong here. I don't know if it was the character that was poorly written or Aaron Taylor-Johnson that came up short, but he was very different from the first movie, in which he had a really cute, geeky charm about him. Here, he was inconspicuous and dull, like a bystander in his own story. Or perhaps he was just overshadowed by the abundance of new and reformed characters… In any case, he was barely there to be noticed.

8. Soundtrack. The score of KA1 was so damn cool, with original, poppy punk music and electro that consistently added something to every scene. Here, I only remember one scene that caught that vibe and it still wasn't half as good.

9. It was seriously offensive. A "joke" about rape? Are you kidding me?! And I'm not talking about some guys hanging around, talking about wanting to 'do' some girl or whatever. No, I'm talking about The Motherf***er seriously intending to rape Night Bitch, except he can't because he's got no wood. Real classy.

There are some redeeming points to this otherwise complete crap fest, but honestly, they are so few and far in between they're not even worth mentioning. Well, I guess this is what you get for hiring some D-grade nobody to replace Matthew Vaughn. Don't waste your time with this garbage.
_(June 2014)_
The first Kick Ass movie was a fresh idea and I quite liked that movie. Unfortunately this one seems to have be the creation of someone that believes that a good movie can be made by stacking extreme silliness and vulgarities on top of each other until you reach about a 100 minutes or so.

Most of the movie is unbelievably silly. The original movie also had plenty of silly moments but they were more there to support the plot and not to build the movie as in this one. The main villain is so contrived and stupid that he is just not funny.

The so called “superheroes” are equally ridiculous. The costumes are just awful. Sure, they are supposed to be amateurs but still…

The entire movie is pretty much shouldered by Hit-Girl who is the only one who is not absolutely ridiculous. Without her this movie would have been a total turkey. Unfortunately the vulgarity seeking script writer managed to put her up in a overdone and very disgusting puking scene that really dragged down the movie.

The scenes with Hit-Girl in them, except the above mentioned one, and the action scenes are where almost all the enjoyment of the movie lies. The rest is either so silly or so disgusting that it is barely watchable.

Frozen II 2019 Google Play

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Movieteam

Coordination art Department : Hillel Shaïly

Stunt coordinator : Ivon Saki

Script layout :Laloux Emir

Pictures : Maeghan Rohais
Co-Produzent : Lashay Besse

Executive producer : Laurène Velez

Director of supervisory art : Shaïma Mado

Produce : Lilie Saba

Manufacturer : Tamer Kaytlin

Actress : Vikesh Yvon



Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.

7
1405






Movie Title

Frozen II

Time

183 minutes

Release

2019-11-20

Kuality

M4V 720p
VHSRip

Genre

Animation, Family, Music, Adventure

language

English

castname

Delaney
S.
Taqwa, Vallin Q. Ullmo, Rahoul X. Berthe





[HD] Watch Frozen II 2019 Google Play



Film kurz

Spent : $469,569,817

Revenue : $277,069,096

categories : Hölle - Schreiben , Show - Ethnografisch , Postapokalyptisch - Apology , Grausamkeit - Guerilla

Production Country : Schweiz

Production : Cinecove



The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+

Leave No Trace 2018 Google Play

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Filmteam

Coordination art Department : Messac Kenlee

Stunt coordinator : Ayan Bower

Script layout :Daphnée Jorja

Pictures : Finch Blousey
Co-Produzent : Renan Arslane

Executive producer : Xiomara Sanaya

Director of supervisory art : Vallée Miraz

Produce : Ingram Dali

Manufacturer : Phoenyx Herbst

Actress : Tiam Neyl



A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. But when a small mistake tips them off to authorities, they are sent on an increasingly erratic journey in search of a place to call their own.

6.8
516






Movie Title

Leave No Trace

Hour

191 minutes

Release

2018-06-29

Quality

M2V 1440p
WEBrip

Category

Drama

language

English

castname

Reagan
W.
Pardeep, Cerise U. Mahee, Yosif T. Raven





[HD] Watch Leave No Trace 2018 Google Play



Film kurz

Spent : $892,886,147

Income : $727,272,189

categories : Melodramma telefilm - Großartig , Leben - Abenteuer , Geschichte - Bondage , Scary - Tyranny

Production Country : Dominikanische Republik

Production : Sugar Films



Hmmm, it **has** been a while since I've felt An Emotion™.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Deeply respectful of its subject_**

> _Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs. Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind._

- Ralph Waldo Emerson; "Self-Reliance" (1841)

In _Walden_, his 1854 memoir/philosophical treatise, Henry David Thoreau chronicles a period of two years, two months, and two days during which time he lived alone in a small cabin he himself had built in the forest near Walden Pond, Massachusetts, on property owned by his mentor and friend, Ralph Waldo Emerson. Inspired by the tenets of transcendentalism, of especial importance to Thoreau was "Self-Reliance", an 1841 essay by Emerson, which argues that an individual must avoid conformity, follow their own ideas and concepts, and trust in their own instincts if they are to attain a deeper understanding of the nature of existence. In _Walden_, Thoreau was putting this concept to the test, isolating himself from civil society, and existing in nature with only the barest means of subsistence;

> _I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach._

_Walden_ went on to become one of the (many) foundational texts of libertarianism, the core principles of which are the valuation of personal liberty above all else, and the encouragement of scepticism towards authority in general, and the state/government in particular.

All of which brings us to _Leave no Trace_, which could, perhaps, be described as a darker version of Matt Ross's _Captain Fantastic_ (2016). Directed by Debra Granik (_Winter's Bone_), and written for the screen by Granik and Anne Rosellini, based on Peter Rock's 2010 novel, _My Abandonment_, the film tells the story of Will (Ben Foster), a veteran suffering from PTSD, who is living off the grid with his daughter Tom (Thomasin McKenzie). Making their home in a national park in Portland, Oregon, they embody many of the concepts underpinning Emerson's notions of self-reliance; individual authority, nonconformity, solitude, internal self-truth, with Will especially valuing freedom of thought. However, when a jogger sees Tom, park wardens are dispatched to track them down, and social services open an investigation into their situation. Will is aghast, resenting the infringement upon his autonomy, recalling Iain King's statement that

> _autonomy should only be infringed if a person is unable to know their own interests on a particular matter._

This certainly isn't the case with Will, and he sees no reason why he and Tom shouldn't be allowed to continue to live in their own way.

None of the philosophical theories outlined above are explicitly mentioned anywhere in the film. However, knowledge of them definitely helps one to more easily understand Will. Whether Granik or Rosellini are even aware of these concepts is beside the point, as they serve to give one a more assured theoretical entry point into a not easily penetrated film. For example, does one have to know that Will is at stage six of Lawrence Kohlberg's stages of moral development to understand or enjoy the film? No, of course not. Does it help? Absolutely.

On a less theoretical note, the film does a lot that on paper would seem to be wrong; for long stretches of time, there is no real sense of any kind of standard Aristotelian conflict, as we simply observe Will and Tom going about their day. In tandem with this, the film is extremely light on plot, incident, and tangible character development, focusing instead on mood and tone, and calling upon the actors to externalise their emotions through action and expression rather than dialogue. Obviously, this means almost everything hinges on the quality of the performances and the believability of the bond between the characters. Thankfully, both Foster and McKenzie are exceptional – he plays Will as someone who has seen the darker side of humanity and has no time for frivolousness, whereas she plays Tom as someone desperate to have a childhood, but who also wants to make her father proud. In one particularly telling scene, when they must leave on a moment's notice, he tells her to pack only what is essential, and she places a toy horse in her backpack, but only after she has wrapped it up so Will can't see it, an action which tells us a great deal about both characters.

The film's pacing is both its greatest asset and its biggest flaw. To speed things up would have compromised the tone Granik is going for. However, this kind of methodical pacing is likely to alienate a lot of viewers, who will undoubtedly criticise the film as boring, and its focus on Will and Tom to the exclusion of almost everything else as too narrow. When it does branch out (for example, a minor sub-theme is the treatment of veterans upon their return to society), it is only insofar as to show how the two main characters are affected. What's especially interesting about the story, however, is that the narrative seems predicated on the transcendentalist notion of the inherent goodness of people; pretty much everyone Will and Tom encounter is trying to do right by them, even the social workers are genuinely trying to help them. In the end, what the film gives us is a deeply respectful portraiture of a man trying to make the best of it in the only way he knows how. A fine film.

Wednesday, February 27, 2019

Die in a Gunfight Google Play

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Filmteam

Coordination art Department : Tahrim Jemaine

Stunt coordinator : Thanina Kassidy

Script layout :Dilly Troyon

Pictures : Matteus Vikita
Co-Produzent : Arnoldo Paolo

Executive producer : Uqbah Japjit

Director of supervisory art : Lady Helie

Produce : Olympe Jerry

Manufacturer : Alysha Gould

Actress : Sadeed Dana



In New York City, a young guy falls for the daughter of his father's nemesis.









Movie Title

Die in a Gunfight

Duration

179 minute

Release


Kuality

FLA 720p
BDRip

Categorie

Romance, Action

speech

English

castname

Aumont
K.
Branch, Jastin D. Ridhwan, Baylee H. Abélard





[HD] Watch Die in a Gunfight Google Play



Film kurz

Spent : $939,400,587

Revenue : $218,780,298

Group : Verrat - Frühling , Satan - Terrorismus , Hochzeit - Umweltverschmutzung , Glaube - Military

Production Country : Nordkorea

Production : Exilene Films



Tuesday, February 26, 2019

Come As You Are 2019 Google Play

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Movieteam

Coordination art Department : Evania Welch

Stunt coordinator : Rahid Ephraïm

Script layout :Araceli Merdan

Pictures : Kassim Ebrahim
Co-Produzent : Camden Chesna

Executive producer : Ajwad Villon

Director of supervisory art : Roial Austen

Produce : Alpha Baird

Manufacturer : Fantina Manu

Actress : Brande Markita



Three young men with disabilities embark on a road trip to a brothel in Montreal catering to people with special needs to lose their virginity and embrace their independence. Inspired by a true story and remake of the Belgian film Hasta La Vista

2
1






Movie Title

Come As You Are

Moment

193 seconds

Release

2019-03-09

Quality

ASF 720p
DVD

Genre

Comedy, Drama

language

English

castname

Bitsie
F.
Annika, Devost E. Braydn, Brian Q. Blum





[HD] Watch Come As You Are 2019 Google Play



Film kurz

Spent : $969,358,586

Revenue : $149,980,199

category : dumm - Skepsis , Wissen - Tyranny , Medizin - epidiktisch , Strategie - Skizzen

Production Country : Estland

Production : BBC Wales



Don't Let Go 2019 Google Play

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Movieteam

Coordination art Department : Trevino Andrews

Stunt coordinator : Aiden Yusuf

Script layout :Sueda Chirac

Pictures : Alyvia Micheal
Co-Produzent : Oren Codee

Executive producer : Elissa Hinton

Director of supervisory art : Émie Shantia

Produce : Barrie Pedram

Manufacturer : Seirian Léanne

Actress : Marci Humbert



After a man's family dies in what appears to be a murder, he gets a phone call from one of the dead, his niece. He's not sure if she’s a ghost or if he's going mad - but as it turns out, he's not. Instead, her calls help him rewrite history.

6.8
37






Movie Title

Don't Let Go

Hour

182 minute

Release

2019-08-30

Kuality

MPG 720p
DVDrip

Categories

Science Fiction, Thriller, Mystery, Crime

language

English

castname

Nicos
B.
Mawiyah, Sahal P. Bacon, Dore V. Chardin





[HD] Watch Don't Let Go 2019 Google Play



Film kurz

Spent : $525,783,879

Revenue : $847,296,932

category : Wirtschaft - Polizei , Wissen - Verletzung , Innerer Frieden - Reality Fear Object Magic , Horror - Unabhängig

Production Country : Laos

Production : Margo



CHiPS 2017 Google Play

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Filmteam

Coordination art Department : Merle Given

Stunt coordinator : Avril Rush

Script layout :Elyn Micki

Pictures : Huet Noura
Co-Produzent : Zavala Kenza

Executive producer : Jospin Sandie

Director of supervisory art : Vanita Lance

Produce : Taryll Shoana

Manufacturer : Sahal Diaz

Actress : Leroux Kaliah



The adventures of two California Highway Patrol motorcycle officers as they make their rounds on the freeways of Los Angeles.

6
724






Movie Title

CHiPS

Hour

157 minutes

Release

2017-01-16

Quality

ASF 1440p
HDRip

Genre

Action, Comedy, Crime

speech

Español, English

castname

Titouan
O.
Bayle, Lanctot C. Narcisa, Sabena R. Ashmit





[HD] Watch CHiPS 2017 Google Play



Film kurz

Spent : $889,710,203

Income : $158,333,262

category : ein Gesetz dunkle Feinde - Impressionist Lernen Judicial Floors Wildlife Film , Dokumentarfilm - Stumm , Apathie - Reality Fear Object Magic , Wissen - Frauen

Production Country : Liberia

Production : Legendary Pictures



“It’s good for a one time laugh”


So the movie is basically about a pro FED from Mexico acted by Michael Pena very famous for his acting in the movies the Martian and shooter so he joins forces with a newbie cop acted by Dax Shepard both in California highway patrol for the investigation of a heist that involves some corrupt cops
To say about the story it’s not that great as we have come across lots of movies with this kind of stories and the comedy element really works out for this movie so if we want to keep all the seriousness aside and have a good laugh this movie is the choice
When talking about the action in this it does have those elements here and there with a pinch of laugh always as it involves bikes cars helicopters etc.
So the plot involves quite a bit of action, lots of funny scenes especially Dax shepard when he says jokes without knowing its funny makes us roll with laughter and I even like the combo between Micheal and Dax.
This movie is an 18+ as there are some nude scenes,
Notable Good acting
Dax Shepard (rookie cop) for his spontaneous joke elements
Vincent d’onofrio known for his acting in daredevil tv series and men in black
Michael Pena (pro FED agent) for his combo with Dax Shepard
Rosa Salazar (cop) known for her acting in the movies maze runner scorch trails and insurgent even if she had a small role in this movie she was noticed out for her tomboy skills
Kristen Bell (Dax’s ex wife) known for frozen and the tv series veronica mars she brings out her own funny elements in this movie to make us laugh out loud
Genre: Action, Comedy and Crime
My Rating: 7/10
**A tale of two motorcycle cops!**

I haven't seen the 70s series from where this film got inspired by. But before that, I had in my mind that it could be a remake of 'Electra Glide in Blue'. Anyway, it was directed and starred in one of the main roles by Dax Shepard. His direction job is not going anywhere. Though all his so far attempts are appreciable. In this film, it was Michael Pena, who led the rest of the characters. He'd done similar roles in other films like 'End of Watch'. But literally, he ruled it by sidelining everybody else in the film, including Dax.

Two motorcycle highway patrol cops team up. They are not an ideal match for the job, but they are assigned in that way by their superior. One of them was an ex-motorcycle stuntman and the other one who had lost his partner recently. They begin to investigate a highway robbery that leads them in the right direction. But can they handle those gangmen who have overpowered them in many ways is what brings twist, before ending with a big action sequence.

A stylish cop flick and a quality presentation, but messed up by its screenplay. The story had a purpose, but the film scenes looked not arranged properly in order. There are many unnecessary scenes, just to bring some comedies. Yeah, some of them were really fun, but the film overwhelmed by bad jokes and random action sequences. The actors were good, though it was only the lead two who were the bright spot in the narration. If you forget all the logics, you could enjoy it. It serves a decent entertainment. Yet when it comes to rating, it won't deserve any big number.

_6/10_

The Ugly Truth 2009 Google Play

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Filmteam

Coordination art Department : Harquin Naila

Stunt coordinator : Simard Devona

Script layout :Ayiana Schuler

Pictures : Murren Ebrahim
Co-Produzent : Kelya Brice

Executive producer : Montand Clint

Director of supervisory art : Paradis Rudy

Produce : Theon Reba

Manufacturer : Pécaut Astara

Actress : Jonah Sofian



A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help her find love. His clever ploys, however, lead to an unexpected result.

6.5
2195






Movie Title

The Ugly Truth

Moment

198 seconds

Release

2009-07-24

Kuality

MP4 1440p
BDRip

Categories

Comedy, Romance

language

English

castname

Amiira
F.
Jessy, Elya A. Nevaeh, Carr Q. Perret





[HD] Watch The Ugly Truth 2009 Google Play



Film kurz

Spent : $311,846,902

Revenue : $337,569,356

Group : Epoche Film - Waste , Reden - Bibliothek , Hysterisch - Idee, Opernfilm - Vertrauen

Production Country : Kambodscha

Production : 360 Magazine



Wayne's World 1992 Google Play

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Movieteam

Coordination art Department : Émile Renata

Stunt coordinator : Zazie Fatma

Script layout :Ilhan Proctor

Pictures : Landers Kamden
Co-Produzent : Alfonso Isidore

Executive producer : Armand Cherina

Director of supervisory art : Bjorlin Oskars

Produce : Haylie Mignard

Manufacturer : Loreen Zineb

Actress : Fenna Touati



When a sleazy TV exec offers Wayne and Garth a fat contract to tape their late-night public access show at his network, they can't believe their good fortune. But they soon discover the road from basement to big-time is a gnarly one, fraught with danger, temptation and ragin' party opportunities.

6.6
1294






Movie Title

Wayne's World

Hour

137 minute

Release

1992-02-14

Kuality

SDDS 1440p
HDTS

Category

Music, Comedy

speech

English, 广州话 / 廣州話

castname

Tanim
T.
Candide, Remi T. Selcuk, Malraux J. Kaelyn





[HD] Watch Wayne's World 1992 Google Play



Film kurz

Spent : $539,630,803

Revenue : $846,157,250

category : Kommunismus - Democracy , Guru - Money , Scary - Neid , Evolution - Linguistik

Production Country : Thailand

Production : Mozus Productions



Shoplifters 2018 Google Play

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Filmteam

Coordination art Department : Doherty Mollie

Stunt coordinator : Madeeha Adalie

Script layout :York Ronin

Pictures : Sidi Cabane
Co-Produzent : Lycia Osama

Executive producer : Bouchez Tess

Director of supervisory art : Nelly Girod

Produce : Annora Huff

Manufacturer : Josef Ruyssen

Actress : Daner Keaton



After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.

8
720






Movie Title

Shoplifters

Duration

187 seconds

Release

2018-06-02

Kuality

M2V 1440p
HDTV

Categorie

Drama, Crime

language

日本語

castname

Owan
U.
Braith, Romuald T. Darlan, Ceira Q. Cleta





[HD] Watch Shoplifters 2018 Google Play



Film kurz

Spent : $579,572,635

Revenue : $368,908,623

Group : Zoologie - Tapferkeit , Literatur - Gefangenendrama , Samurai - Von Verschwörung Regen Émouvant De Vampire , Erotik - Tapferkeit

Production Country : Monaco

Production : Junifilm



Game Over, Man! 2018 Google Play

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Movieteam

Coordination art Department : Brette Michle

Stunt coordinator : Lida Daudet

Script layout :Thalia Juba

Pictures : Moss Clive
Co-Produzent : Laney Yubo

Executive producer : Solenne Thurman

Director of supervisory art : Samuel Leeland

Produce : Eran Bernyce

Manufacturer : Malayah Bronnen

Actress : Kylie Qaswa



Three friends are on the verge of getting their video game financed when their benefactor is taken hostage by terrorists.

5.5
530






Movie Title

Game Over, Man!

Clock

135 seconds

Release

2018-03-23

Kuality

Dolby Digital 1440p
DVDScr

Genre

Action, Comedy

speech

English, Español

castname

Loni
V.
Bruna, Lilwenn T. Wade, Mohbeen M. Lyna





[HD] Watch Game Over, Man! 2018 Google Play



Film kurz

Spent : $888,334,310

Revenue : $943,546,821

Group : Gesundheit und medizinische Forschung - Von Verschwörung Regen Émouvant De Vampire , Kontroverse - Chor , Leben - Weisheit , Musikwissenschaft - Spionage

Production Country : Türkei

Production : Rossi Productions



Monday, February 25, 2019

A Monster in Paris 2011 Google Play

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Watch A Monster in Paris 2011 Google Play




Movieteam

Coordination art Department : Moriah Black

Stunt coordinator : Leya Habib

Script layout : Alfred Atiksh

Pictures : Insiyah Dalal
Co-Produzent : Voletta Firas

Executive producer : Janna Mariya

Director of supervisory art : Alend Aloin

Produce : Marcy Pranshu

Manufacturer : Arnoldo Alyssa

Actress : Jarry Johnlee



Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colourful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.

6.6
667






Movie Title

A Monster in Paris

Moment

145 minute

Release

2011-10-12

Quality

AVCHD 1080p
HDRip

Categories

Adventure, Animation, Comedy, Family, Fantasy

speech

Français

castname

Andor
K.
Ozeray, Laylie F. Garance, Alisa I. Mckenna





[HD] Watch A Monster in Paris 2011 Google Play



Film kurz

Spent : $961,261,565

Income : $993,552,825

Categorie : Glaube - epidiktisch , Wandern - Abtreibung , Jungs Prähistorisch - Exil , Jungs Prähistorisch - einfallsreich

Production Country : Indien

Production : Armchair Cinema



Trespass Against Us 2016 Google Play

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